thetardis:

Take my love, take my land 
Take me where I cannot stand 
I don’t care, I’m still free 
You can’t take the sky from me 
Take me out to the black 
Tell them I ain’t comin’ back 
Burn the land and boil the sea 
You can’t take the sky from me 
There’s no place I can be 
Since I found Serenity 
But you can’t take the sky from me…

THIS!

highglosshearts-:

meriadocbrandybuck-:

ifuckinglovetea:(via sleeper-hold, cuntpunt)

thetardis:

teacat:

click the image for credit :D

Mostly I’m trying to focus on the old series here, and there are sooooo many people blogging on the new season.

But lemme just say, I’m loving season 5.

I have teh 11-luv.  A friend of mine summed it up perfectly for me- Matt Smith is wonderful at portraying an old man trapped in the body of a much younger looking man.  And he has an odd sort of old-man gentleness to him that is very sweet and endearing (rather than dopey, which was my chief concern).  These are things I didn’t really get from 9 or 10. 

As an old skool fan, I’d seen 10 other Doctors before he came along, and was srsly ready to get over Ten-nant (b/c he’s a F$#%ing primadona), so the transition wasn’t such a big deal for me.

I luv the Amy the companion, tho Moffat still decided to sex her up for no reason.  But that seemed to dissolve after the first epp.

Am also loving the drift of focus, away from “How much unspoken sexual tension can we get away with in a family show?” (RTD must have had a HUGE crush on the Doctor as a young lad, Queer as Timelords anybody?) and towards a greater sense of childhood wonder and memories.  Sure, Amy seems to be crushing on the Doc, but not in the epic-ly whiny way that Rose or Martha did.  Its more innocent and playful, thus far.

The jury is still out on Mr. Moffat, tho.  I’m still not pleased about how he portrays women.  And it looks like he’s stuck in a pattern of “OMG that story got me an award last year so now I’m gonner use it over and over and over …” 

On the other hand, he is super awesome at suspense, action sequences, monsters in the dark, turning modern institutions into wacky future versions of themselves (libraries, monarchies, the church), and the weird timey-wimey-ness and paradoxes of time travel stories (which he played with a bit in Coupling). I just hope he comes up with some more new ideas and tropes now that he’s in charge.

So yah, I’m having a good time ;-)

Old and new series.  Lock and load.